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Spring Oak | Mixed Media by Vero Gonzalez Ugarte | Four Seasons Hotel Hangzhou At Hangzhou Centre in Hang Zhou Shi. Item made of linen with paper works with contemporary style
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Spring Oak | Mixed Media by Vero Gonzalez Ugarte | Four Seasons Hotel Hangzhou At Hangzhou Centre in Hang Zhou Shi. Item made of linen with paper works with contemporary style
Spring Oak | Mixed Media by Vero Gonzalez Ugarte | Four Seasons Hotel Hangzhou At Hangzhou Centre in Hang Zhou Shi. Item made of linen with paper works with contemporary style
Spring Oak | Mixed Media by Vero Gonzalez Ugarte | Four Seasons Hotel Hangzhou At Hangzhou Centre in Hang Zhou Shi. Item made of linen with paper works with contemporary style
Spring Oak | Mixed Media by Vero Gonzalez Ugarte | Four Seasons Hotel Hangzhou At Hangzhou Centre in Hang Zhou Shi. Item made of linen with paper works with contemporary style
Spring Oak | Mixed Media by Vero Gonzalez Ugarte | Four Seasons Hotel Hangzhou At Hangzhou Centre in Hang Zhou Shi. Item made of linen with paper works with contemporary style

Created and Sold by Vero Gonzalez Ugarte

Spring Oak - Mixed Media

Featured In Four Seasons Hotel Hangzhou At Hangzhou Centre, Hang Zhou Shi, China

Price £7,691

$ Unlock Trade Discount
Creation: 6-8 weeks
Shipping: 10-15 days
Estimated Arrival: October 15, 2026

Handmade

Woman Owned

Made To Order

DimensionsWeight
43H x 43W x 1D in
109.22H x 109.22W x 2.54D cm
4.99 kg
11 lb
Spring Oak is a delicate, circular composition made from paper and silk, with color applied using etching techniques. Harmonious in its refined earthy tones, the work evokes a sense of deep calm. Each leaf is meticulously crafted as a tribute to the majestic oak tree—its form, resilience, and quiet grandeur. This piece is both an homage to nature and a meditation on beauty, balance, and the subtle strength of organic forms.

Category: Mixed Media

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Vero Gonzalez Ugarte
Meet the Creator

Vero Gonzalez Ugarte

Santiago, Chile

Wescover creator since 2020
Exploring nature and landscape as material in art

Verónica González Ugarte's recent work is deeply connected to landscape and territory in its multiple dimensions: ecological, aesthetic, and historical. Drawing on references such as botany, cartography, and landscape painting, González proposes a body of work that offers a poetic perspective on nature and the ways we observe, preserve, and impact it. Fire plays a central role here.
With as many languages as viewpoints, the artist conveys her urgency about what unsettles and moves her: the dangers of global warming, the unshakable beauty of nature in its countless forms, the secret and unexpected connections between realms, and the poetic leaps from written language to visual language. González expands her exploration of ways to think about and represent nature, attending to the characteristics of space as well as the unique properties of the mediums and materials she intervenes.
Verónica González's work may evoke that of early traveling painters. Like them, the artist explores various territories, materializing her experience through a wide range of artistic resources: painting, drawing, printmaking, and mixed techniques, all employed without ostentation, driven by the expressive need of a curious artist. Her travels push her to challenge preconceived ideas about nature in a series of encounters that, in this exhibition, take her from Santa Marta, Colombia, to the Martian-like surface of Lanzarote in the Canary Islands.
It’s not just about the naturalistic recording that sometimes emerges in her works. Above all, it’s a representation that acknowledges space as a vast surface, unfolding from the artist’s touch to her eye and, ultimately, to the viewers.

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